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The Dilemma of Emma: From Page to Screen. In Emma she also satirizes romantic excess, particularly in the character of Harriet Smith who, in a sense, enshrines Mr. Throughout Emma we are part of the energy of the novel leading Emma learning by humiliation essay the fulfillment of this ideal in the vitality of the characters.
The work moves from delusion to self-recognition, from illusion to reality; numerous images of sight and blindness reinforce this—the lack of sight, the necessity for insight. Knightley, and of course herself, shows her unknowing errors of judgment, her fundamental lack of self-understanding.
She is deceived as to the nature and reality of the world around her, as well as to the nature of her own emotions. When the truth of human situations and feelings is not perceived accurately, disorder and unhappiness result. Unethical, even immoral behavior is fostered through ignorance, and is only rectified when the truth emerges, allowing ethical behavior to predominate.
The novel Emma is a one of courtship and marriage; it begins with a marriage Miss Taylor and Mr. Elton, definitely a negative role model. According to Jane Austen, for marriage to be successful it must be an intrinsic part of, and connected to the fabric of the genuinely ordered society, and thus represent a true moral and ethical reality.
It must never occur just to fulfill societal and economic structures, which would be highly unethical as well as lead to personal misery.
The characters become more fulfilled, and the heroine becomes what she should be in moral terms as well as in her personal happiness. The basis for a moral equality is found between the heroine and the hero, and in a sense a new order of society is formed, outside of and counter to the hierarchical, striving, and unethical elements of conventional society.
Elton represents this position to the extreme. Some who misread Austen may think that she merely endorses and reinforces the conventional structures of society, but such is not the case; the necessity for inner truth and reality is implicit behind the outer social structures.
But Emma does not easily reach this stage of being, for she makes many errors of judgment in her journey toward maturity. For example, in her role as social snob, she is condescending and looks down on and inaccurately perceives a character such as Robert Martin, but hers is a false perception of class structure.
She fails to understand and acknowledge the fine qualities that would make him the right mate for Harriet, something Mr. Knightley knows all along.
Her errors involve not only Harriet, but all the other major characters, including Mr. Knightley, and most of all, and most unknowingly, herself. The result is chaos and confusion. This, then, is the dilemma of Emma: Emma is so engrossed in herself that she radically misconceives even her own attachment to Mr.
This statement suggestively foreshadows her coming tribulations. She must learn that people have an inner life of their own, apart from her perception of what she thinks that inner life should be. When Emma actually sees her mistakes and the harm they have caused others, as well as herself, she finally begins to attain a new level of insight and maturity.
The moral development in the novel suggests the need for the diminishment of Emma in the social sphere, a new position for her, but an appropriate place in the scale of value, rather than one defined by her self-aggrandizing ego.
When Emma grows in a moral way as a result of her recognition of objective truth, she evolves into a more integrated person, a better person, and in the process gains what is truly right for her as an individual.
The significance of the moral aspects of the novel is addressed by Arnold Kettle: The moral is never spread on top; it is bound up always in the quality of feeling evoked. In addition to understanding the novel as an in-depth study of a single character, its moral aspects can be viewed within a larger context, set within a more comprehensive scope—in relation to classical Greek tragedy; in the context of a Christian spiritual world view; in the comic tradition brought to its height by Shakespeare, and in a psychological perspective, particularly from the point of view of Carl Jung.
In all of these approaches moral and ethical issues are implicit, and spiritual evolution is the outcome of the process of internal change. Classical tragedy embodies the concepts of hubris, the excess of self-pride that brings about a tragic fall; hamartia, the error or mistake of the tragic hero; and finally anagnorisis, the self-recognition of that error by the hero—all concepts named and analyzed by Aristotle in the Poetics.
The character of Emma manifests these ideas, for she has too much self-pride for her own good. She does harm through her mistakes as well as through her misperceptions of others and of herself. Finally, she experiences a true recognition of her own errors after the Box Hill incident when she is soundly rebuked by Mr.
Knightley for insulting Miss Bates for being dull. Such a debasement on his! Growth through suffering occurs in the tragic hero, but he is destroyed as a result of error. The tragic fall occurs, and unhappiness, disaster, and complete disruption of the social order result.
But led by Mr.I believe it takes courage to build courage. Up until a few years ago, I was the shy kid. My awkward stage unfortunately started early; I thought that no one in the world was as different as me, and that there were only a few people who would ever see past these differences and actually like what they found.
Hi, my name is Emma, and I'm going to teach you English!
Learning a different language can be hard, but it can also be a fun and rewarding experience. I am T Views: M. Oct 3, Explore em's board "Essay Hacks" on Pinterest. | See more ideas about Learning english, Learning and Creative writing. Though poor, Jane is a superior being, well-educated, talented, disciplined, in contrast to Emma’s desultory, dilettantish approach to learning and accomplishment.
As noted by Mr. Knightley, Emma had been “meaning to read more ever since she was twelve years old” (37). The many reasons why a british business may want to transfer overseas.
Including health and wellness the many reasons why a british business may want to transfer overseas the many reasons why a british business may want to transfer overseas with the consulting an overview of social justice and the role of social work regime conquering the it scenario . Emma by Jane Austen - About the Author Jane Austen was born on December 16, at Steventon, England.
She was the seventh child of the rector of the parish at Steventon, and lived with her family until they moved to Bath when her father retired in